The Blessed Mother Box

 

This clay box was one of the first Gypsy boxes where the handle on the lid was the main focus.  The figure of Mary is gestural - It has more flow than detail.  It suggests the folds in the material of her gown, Her outstretched arms and compassionate countenance.  

 The details in the carvings represent unending love in the white line that continuously connects and encircles the hearts.  The roses are a symbol of Mary and represent unconditional love.

I loved making everyone of the Gypsy Boxes.  This one is in a private collection.

My New Role

I am about to take on the roll of Creative Play Muse for Cool2Craft!!! Tomorrow at noon, Eastern Standard Time, I will fill you in on all the details! Check out the Cool2Craft Facebook page at http://www.facebook.com/apps/application.php?id=342077966832&ref=ts#!/Cool2Craft?ref=ts and scroll down to the Cool2Craft Live button on the left to tune in!

I'll be presenting a monthly Creative Play theme for you to run with. You'll send in your entries which will be posted on the Cool2Craft web site at
http://cool2craft.com/
AND on the Hive at
http://creatingthehive.com/group/cool2craftcreativeplay
 Play on!

Illusive SaniTea

This is The Illusive Sanitea clay whistle.  With a light air pressure, it sounds like a distant foghorn.

Bone Guy

This is Bone Guy, the clay whistle.

He's a warped little dude with a clear whistle sound.  With medium air pressure he sounds like a steam boat.  Play on, Bone Guy, play on.

Frida Kahlo Inspired Self Portrait

Last week The Crafty Chica, Kathy Cano Murillo, challenged her blog readers to paint a Frida Kahlo inspired self portrait to honor the artist on her birthday.  I don't really paint, but I loved the idea.  So, I started with a box of chocolates, which I happily ate.  Then I sketched the portrait to go on the top of the box.  I cut it out, put it on, added colors, inks to age the box and attached some dangly earrings.

Note the uni brow and hint of moustache! Very Fridaesque.  I decided the piece would be about my inner artist, so the inside of the box would have to reflect the joy of creating art!  I love sculpting food!  Especially chocolate and coffee!  I used polymer clay to make the skeleton bits and chocolates.  Of course I had to add jewels and wire work.  Those things bring me joy, as well.

Then there's the Sacred Heart that my ribs can hardly contain.  That's all about my spiritual life.  You can't see it here, but I lined the inside of the box with a sparkly ribbon.  I do love to have sparkle and brilliant colors around me.  They feed my inner artist.

If you're not familiar with Frida's work, click here to see her work and read about her amazing life.

Sweetie

This is Sweetie.  She's a handmade clay whistle.

Each whistle begins as a hollow ball.  To achieve that, you make two pinch pots and join them together.  After the ball dries a bit so that it's firm, but malleable, it can be shaped and smoothed.  I like to carve, stamp and finish the details before cutting the hole and adding the whistle mouth piece.

When the piece is dry it can be fired.  The firing turns the clay to the consistency of an unglazed flower pot.  Now, I don't mind glazing, but I prefer the process of wax resist.  I color on the pottery with crayons, then I paint the whole thing with brown or black acrylic paint.  The paint wipes off the waxy part and soaks in the parts that aren't waxy.  Next they heat in the oven to evaporate the wax (the color remains).  I finish the piece with colored pencil highlights.

Each whistle has a unique sound and different breath pressure to achieve the sound.  If I were an expert whistle carver, I'd be able to control those things, but it is what it is.   Sweetie's whistle sounds like a Ghost Train when blown at a medium pressure.

The Tootsie Roll Cheesburger

This is a Tootsie Roll sculpture

The little fruit flavored ones come in lemon, cherry, orange, lime and vanilla.  And, of course, there's the traditional chocolate.  They require some kneading before they can be mixed for color blending and shaping. For the bun I mixed one vanilla, two lemon and half of a chocolate. The meat is one cherry and half of a chocolate.  Those are the only color blended pieces, the rest are the candy's true colors.

You can do a lot with them, but they tend to stay soft, so smaller sculptures are best. 

And what could be better than sharing  cheeseburger and fries with a friend!

Click here to see My grandneice's Tootsie Roll cheesburger

Colorful,Over-the-Top, Scary Door

Here's my C4 Challenge for April.  Click here to read what the challenge was.

It's clay decorated with crayon (wax resist) and burnt umber acrylic.T he door knob is a crystal bead from my grandmother's broken jewelry collection sitting on a spacer bead backed by a rectangle of copper sheeting.

Polymer Clay Zombie

Oh no! The zombies got to Earl the Squirrel while he was in his day job clothes! Earl would be mortified if he realized...you know, he always thought he'd be a cool looking zombie with his mullet and ACDC t-shirt. But, no. No cool zombie image for the Squirrel.
My buddy Cindy turned me on to a book by Maureen Carlson called Fairies, Gnomes and Trolls. The instructions and tutorials are awesome! So, I was doing a polymer clay class for my friends, Laura and her way cool son, Tommy. I think we were making canes. Anyway, at the end of the class, Tommy made a tiny Freddy Krueger from the leftover clay. We decided they should come back and do a zombie making class! We used the same methods that Maureen Carlson shows in her book and it was way too much fun! We were joined by fellow zombie enthusiast and dear friend, Beth. I had made a birthday zombie for her which I'll feature in another blog. Standing in the back ground here is the Elvis impersonator zombie.
Supplies:
Polymer Clay - black, white, green and as many other colors as you like for clothes and such
Two 18" pieces of floral wire for each zombie
A small amount of aluminum foil
A knitting needle or other tool for smoothing the clay
A craft knife
A red gel pen for blood
A means for baking the zombie - a toaster oven reserved for crafts or a conventional oven that you only use for crafts occasionally.


Begin by folding one 18" piece of floral wire in half and in half again. Twist an opening in the middle of the wire for the head, a little further down twist an opening for the body and fold a small amount of wire on the ends for feet. If you can make it stand on its own, you're off to a good start. If you can't, don't worry the clay feet will still work.

Crumple bits of foil and wrap around the head, body and legs.

Fold the other piece of floral wire the same way you did the first piece and wrap it around the neck a couple of times.

Condition your polymer clay by squishing, folding and rolling it with your hands until it's very pliable. If you haven't worked with polymer clay before follow these rules for the best results:Hold the piece you're working on as though it was a baby bird - any pressure you put on it will change the shape,

AND

Smooth the clay with a very soft touch as though you were petting a fuzzy Caterpillar

Mix bits of black and green clay into a ping pong ball sized piece of white clay until you have the skin color you want. You can always reserve your zombie skin color for later, but it's not easy to match the color if you run out.

Take a marble size piece of skin color rolled into a ball and flatten it to about an 1/8 " thick. Wrap it around the head of your zombie starting under the chin and around to the back. Don't worry about how the back looks, unless your zombie doesn't have hair.

Follow the same steps to cover the neck and chest area of the body, assuming of course that you're going to have an open collared shirt.

Smooth the neck where you join the two pieces by very gently rolling a knitting needle over the joint until it's no longer visible.

Earl's wearing his day job suit, so I started covering the frame with a basic shirt shape and pant legs.

Again, it starts with marble size pieces. Roll each one into a ball then flatten into the shapes you need. Smooth the joints.

Use the same method as before to make the sleeves.

Take a large marble size of the color that will cover the back, flatten and gently press into place. Take a bit of the shirt and pants colors to make a collar and waste band. Flatten two marble size pieces of pants color into elongated tear drop shapes. Attach them to the front of the jacket, narrow end up and smooth the joints.

Now add bits of the shirt color in the the ends of the sleeves. Stick two balls of your shoe color onto the bottom of the pant legs.
The hands and face are the most delicate so I save them for last. Here's where I add some gore. I pushed some flesh color on the belly and add a bit of shirt color to look like a torn shirt.
Use your craft knife to open the mouth
Roll a small bit of white clay that's wider in the middle than the ends. Press into place with the back side of the craft tool and define the teeth as well.
Use the knitting needle to open eye holes. Press in then wiggle a bit to widen. Roll tiny bits of white for the eyes. Place them gently into the eye sockets. The idea is to add eyelids without squashing the eye.

This is how Maureen Carlson lays out the facial features. I just love it! It makes it so easy to understand the face. Make these pieces smaller than you think you'll need them. You can always add more clay, but it's hard to take it away without distorting your work. The only thing missing are the upper and lower eyelids.

The eyelids are very small and should not cover too much of the eye. Again, very gently put them into place and smooth with the knitting needle. If they begin to cover too much of the eyes, very carefully remove clay with the craft tool. Add the forehead piece and smooth.

Now put the nose, lips and cheek pieces on and smooth. Take your time with this, it really gives the zombie character.

Now is the time to consider the facial expression. Is he snarling, or do you want his jaw slack? Are there cuts on his face? Maybe he's missing an eye, or even missing one side of his face? Zombie it up!

Now make holes in the ends of the arms to attach hands.

The hands start as mitten shapes, then use your craft knife to separate the fingers. The Elvis impersonator zombie is missing some fingers. That's okay, too. Body parts fall off. It's a fact of zombiehood.

Add hair and then ears. I made the hair colored clay by adding a small amount of white to brown clay. Then I conditioned it, rolling, folding and twisting, until there were tiny stripes of white. It didn't start out to be a mullet, Earl just wouldn't have it any other way. Plus, I have hair issues. Who knows, the next one could have a comb-over.

Bake according to the directions of the clay you're using. If you bake him in a toaster oven, lay him down for baking so his head doesn't burn. Ideally, he should bake standing up, but, if you do that, put a Pyrex cup (or other heat safe props) in front and back of him. After the zombie cools, you can use a red gel pen to add blood.

It's ALIVE!

It's not uncommon for slight changes to occur in baking that make it hard for your zombie to stand on his own. Do not despair. Glue him into a deep frame with a ghoulish background, like so...
This is just half of a folded paper box. I printed a background, tore the edges to fit and marked up the paper with an ink pad.

Have fun!